👋 Illustrator-on-hold, #LongCovid (COVID-induced #POTS / #ME)
London, UK
helephant
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Can people PLEASE repost or quote my pinned post? 🙏🤞🥺
I’m getting too sick to promote my crowdfund.
My bloods show my 6th Covid infection from March is still active! I now have Costochondritis & pericarditis.
My abuse is worsening. I’m unsafe here.
Please help.
chuffed.org/project/1619...
Hitting the Target? ME/CFS and long COVID T-Cell Researchers on Uncovering the Precise Drivers of the Illnesses www.healthrising.org/blog/2026/06... #MECFS #longCOVID
It’s really hard to keep interacting so I have an online presence & people don’t forget I’m still (sorta) alive.
Gotta crowdfund & I don’t have the energy on a team of 1.
Got a laundry list of #ChronicIllness diagnoses. #SevereME on its own is enough.
Yeah. I’m exhausted. I just want to escape. 🥺
🧵A Covid thread - but a good news one!
I’m barely writing about Covid anymore because there is barely any Covid to write about.
I thought it was worth celebrating this in this thread. 1/7
John Craxton (British, 1922-2009), Taverna by the sea, Poros, 1953. Pencil, watercolour and gouache, 60.5 x 48 cm.
Rejected for military service late in 1941, soon after his 19th birthday, John Craxton turned to the drawing and painting of poets and shepherds sheltering from a world of turmoil. 'Sheltering Shepherd,' would be repeated for Geoffrey Grigson's 'The Poet's Eye,' for 1944.
