Sur les mémoires du massacre du 4 juin dans la fiction, en particulier dans la littérature, avec ce questionnement : "Il est facile de déclarer "ne jamais oublier" à un océan de distance, mais de quoi se souvient-on exactement ?"
"The funniest possible outcome of the AI mandate era is about to be HR departments discovering that 'sincerely held religious belief' under Title VII has a much lower bar than they assumed, and Pope Leo handed every Catholic employee a written excuse" www.businessinsider.com/worker-got-r...
Legal experts say employers must take AI-related religious objections seriously, as a 2023 ruling raised the bar for denying such accommodations.
Read Yangyang Cheng's review-essay on Tiananmen in fiction: chinabooksreview.com/2026/06/04/t...
“We must rescue the truth of Tiananmen from the distortions of Orientalism, and interrogate the protesters’ demands beyond mere slogans.”
Tough. When imposed or psychological self censoring construe to diminish memory & history, survivors’ rationale/capacity for expression pushed to the outer limit
"The class hierarchy that manifested during Tiananmen extends to its artistic remembrance...perhaps because only the relatively privileged can leave China and write from the safety of distance, where they must also speak in the language of Western liberalism to reach a broader audience."
My latest:
37 years after #June4, who gets to write about it, for whose consumption, and to what end? For @chinabooksreview.com, I examine Tiananmen in novels. The real question is not whether historical accuracy can give way to poetic license, but what truths are sought and revealed by the imaginary accounts.
37 years after #June4, who gets to write about it, for whose consumption, and to what end? For @chinabooksreview.com, I examine Tiananmen in novels. The real question is not whether historical accuracy can give way to poetic license, but what truths are sought and revealed by the imaginary accounts.
"The class hierarchy that manifested during Tiananmen extends to its artistic remembrance...perhaps because only the relatively privileged can leave China and write from the safety of distance, where they must also speak in the language of Western liberalism to reach a broader audience."
My latest:
Paul Guinnessy
Yangyang Cheng
Yangyang Cheng
Yangyang Cheng
Yangyang Cheng
Yangyang Cheng
After 37 years, the Tiananmen Square protests and crackdown of 1989 have been preserved in novels as much as in memory. But does the Anglophone literary imagination get it right?
After 37 years, the Tiananmen Square protests and crackdown of 1989 have been preserved in novels as much as in memory. But does the Anglophone literary imagination get it right?
After 37 years, the Tiananmen Square protests and crackdown of 1989 have been preserved in novels as much as in memory. But does the Anglophone literary imagination get it right?
After 37 years, the Tiananmen Square protests and crackdown of 1989 have been preserved in novels as much as in memory. But does the Anglophone literary imagination get it right?
chinabooksreview.com
37 years after #June4, who gets to write about it, for whose consumption, and to what end? For @chinabooksreview.com, I examine Tiananmen in novels. The real question is not whether historical accuracy can give way to poetic license, but what truths are sought and revealed by the imaginary accounts.
After 37 years, the Tiananmen Square protests and crackdown of 1989 have been preserved in novels as much as in memory. But does the Anglophone literary imagination get it right?
After 37 years, the Tiananmen Square protests and crackdown of 1989 have been preserved in novels as much as in memory. But does the Anglophone literary imagination get it right?
