//
sign in
Profile
by @danabra.mov
Profile
by @dansshadow.bsky.social
Profile
by @jimpick.com
AviHandle
by @danabra.mov
AviHandle
by @dansshadow.bsky.social
AviHandle
by @katherine.computer
EventsList
by @katherine.computer
ProfileHeader
by @dansshadow.bsky.social
ProfileHeader
by @danabra.mov
ProfileMedia
by @danabra.mov
ProfilePlays
by @danabra.mov
ProfilePosts
by @danabra.mov
ProfilePosts
by @dansshadow.bsky.social
ProfileReplies
by @danabra.mov
Record
by @atsui.org
Skircle
by @danabra.mov
StreamPlacePlaylist
by @katherine.computer
+ new component
ProfileReplies









Loading...
I know archaeology is small potatoes, but if you are an American archaeologist with a foreign project, it is 1) unethical to work without local collaborators and 2) often required that you have them in order to receive a permit. Of course, they're getting rid of NEH and NSF SBE next year, too, so 😬🤷🏻‍♂️
So we started discussing writing for the public v academics and he mentioned this book. At the time he seemed to be taking aim at the Holland/Ehrman public scholarship narratives. I told him I think it's as different genre. I am so curious to see how this shakes out in his book. 2/2