//
sign in
Profile
by @danabra.mov
Profile
by @dansshadow.bsky.social
Profile
by @jimpick.com
AviHandle
by @danabra.mov
AviHandle
by @dansshadow.bsky.social
AviHandle
by @katherine.computer
EventsList
by @katherine.computer
ProfileHeader
by @dansshadow.bsky.social
ProfileHeader
by @danabra.mov
ProfileMedia
by @danabra.mov
ProfilePlays
by @danabra.mov
ProfilePosts
by @danabra.mov
ProfilePosts
by @dansshadow.bsky.social
ProfileReplies
by @danabra.mov
Record
by @atsui.org
Skircle
by @danabra.mov
StreamPlacePlaylist
by @katherine.computer
+ new component
ProfilePosts









Loading...
Someone should ask him to name his current favorite Knick. I’m sure the answer would be the same as when he was asked his favorite Bible verse. “To me that’s very personal. I don’t want to get into specifics.”
Memphis, don't miss this one: 1 screening only, 7 p.m. 6/10, Studio on the Square: @indiememphis presents THE PYTHON HUNT, a look at the Florida Everglades' real-life 10-day Python Challenge -"The Burning Man of snake hunting," with a political edge (kill the "invasive species").
I really liked BACKROOMS. A sinister affirmation of a modern apprehension of the uncanny, beyond anxiety, infecting even the most mundane spaces. Great design (Showroom Gothic), and Parsons knows where to place and when to move his camera. Not needed: Sequels, to ‘explain,’ and dilute the impact.
Ida Lupino, Ann Sheridan, Raoul Walsh’s THEY DRIVE BY NIGHT (1940).