Ooooo, this looks great! I love Anna-Marie McLemore's work. 📚❤️📚
“Content” also insidiously shifts significance and validity to the platform, not the substance — content is contained, what defines content is the existence and form of the container
Helen Rosner
J. Anderson Coats (she/her)
In my editor days, I used to mark up my authors’ manuscripts by hand, and there’s something about revising with a pen that lets me be both ruthless and precious with my own drafts.
Anna-Marie McLemore's WE COULD BE ANYONE--about a brother-sister con artists pair pulling off a scam at a Golden Age Hollywood resort--is one of my favorite books I've read this year. It's gorgeous, deep, and dark, while also thrilling and fun, and filled with radiant prose. Highly recommend!
Anna-Marie McLemore's WE COULD BE ANYONE--about a brother-sister con artists pair pulling off a scam at a Golden Age Hollywood resort--is one of my favorite books I've read this year. It's gorgeous, deep, and dark, while also thrilling and fun, and filled with radiant prose. Highly recommend!
My friend can't come to dinner because her 9-year-old is emceeing a series of "TED Talks" by elementary schoolers and...for the first time in my life, I want to go hear a series of TED Talks.
That stack of drafts is a fraction of the many revisions the manuscript went through over the years. I do a lot of that work in Scrivener, but once I’ve overhauled a draft significantly enough that it feels truly new, I like to print it out and feel/see what I’ve got on paper.
