Newly published in our winter issue: "Heretical Identities: Gender, Selfhood, and Power in Zamiatin's 'We'" by Kelly Gallagher (Ohio State University). Find the abstract and complete contents for SEEJ 69.4 on our website!
In our winter issue: "Literary Ventriloquism: A Dialogue Between Framing and Framed Narrative in Mikhail Saltykov-Shchedrin's The History of A Town" by Byungsam Jung, Syracuse University. Find the abstract on our website!
In SEEJ 69.4: "Remembrance as Physiological Style in Early Tolstoy" by Gabriel Nussbaum, Princeton University. Find the abstract on our website!
From SEEJ 69.4 (Winter 2025): "Gothic Shadow Play in Plato's Cave: Nikolai Karamzin's 'The Island of Bornholm'" by
Jiyoung Hong, Yonsei University. Find the abstract on our website.
From our winter issue: "Writing Without Letters: Inscriptive Practices in Trans-Indigenous Arctic Literacy History" (Dmitry Arzyutov and Laura Siragusa, The Ohio State University). Find the abstract on our website!
Now available: SEEJ 69.4 (Winter 2025). Find the TOC on our website!
In SEEJ 69.3, Giuseppina Larocca examines and discusses the meaning and the profound relationship established between body and power in the short story “Devushka Roza” (“Young Rosa,” 1944) by Andrei Platonov.
In 69.3 Anne Eakin Moss calls attention to a neglected pioneer of cinematic innovation—puppet artist, animator, and director Sarra Mokil. Find the full abstract for all of the articles in the special cluster "Parallel Tracks: Women Filmmakers in Late-Imperial and Early Soviet Cinema" on our website.
In “'I Want to Make a Film About Women': The Story of Esfir Shub's Unrealized Feminist Manifesto", Anastasia Kostina reconstructs a history of the project 'Women', analyzing the script, and shedding light on what is arguably the most obscure and important period of Shub’s filmmaking career.
In 69.3, find the article "Bodies, Circus, and the Avant-garde in the Films of Ol´ga Preobrazhenskaia and Ivan Pravov" by Emma Widdis, part of our special cluster, Parallel Tracks: Women Filmmakers in Late-Imperial and Early Soviet Cinema.
