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"The pieces were performed from a piano enclosed in a dimly lit box covered in fabric, situated opposite the stage from the ensemble, mimicking [Emahoy Tsege Mariam Gebru's] own cloistered life as a nun. Each return to Gebru’s works anchored the audience back in the box after every venture outward."
"The record’s sonics reflect the New York-based, Monterrey-born electronic artist’s border-traversing perspective: On the one side, bludgeoning U.S. techno à la Jeff Mills, flecked with acid house squelches, on the other, the triplet syncopations of Mexican guaracha …"
"He brushed off any mention of genius, likely haunted by the heightened expectations that come with it. 'No, I’m just a hard-working guy,' he told me. 'And I always get a little bit paranoid when I get a lot of attention.'" A tribute to Brian Wilson:
Today's Tonal Treat ✨ #SongOfTheDay #NowPlaying #MusicSky #TonalTreat
"He affectionately refers to the guitar as his 'Mouse Strat' because of a sticker on its body of a Mickey Mouse-like figure giving the finger … after decades of wear, about all you can make out is Mickey’s buttoned trousers and floppy shoes." The Guitar That Defines Ed O’Brien's Haunting Sound:
"In the second part of a tribute to Steve Barrow, Steve Barker selects ten tracks from the catalogue of Blood & Fire, the reggae reissue label helmed by Barrow and underwritten by Simply Red’s Mick Hucknall and Elliot Rashman …" No lightweight stuff — A Blood & Fire playlist:
"When working in film scoring, the piano often became a central element to [Ryuichi Sakamoto's] work, and there is no clearer example of this than the extraordinarily haunting theme from 'Merry Christmas, Mr. Lawrence'."
“My life has been startlingly devoid of the standard rock’n’roll drug-and-sex dramas, so I thought a documentary about me isn’t something people will want to see. It sounds boring.” Peter Asher on being music’s incredible ‘Everywhere Man’:
On 'Asymmetrical Dot,' Stephen Emmer turns grief and new birth into a multigenerational meditation, drawing on the Indonesian folk traditions his mother carried from Ambon to Amsterdam and the hushed compositional vocabulary that hearing loss made necessary. Stephen Emmer on Beauty Out of Misery:
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Debit’s Cutting-Edge Guaracha Techno Dissolves Borders
Delia Beatriz's fusion of Mexican club and traditional music is ferocious, uncompromising, and deeply political.
daily.bandcamp.com
As the visionary heart and soul of the Beach Boys, Brian Wilson created a mythic California soundtrack of sun-drenched, youthful innocence
www.loudersound.com
A tribute to Brian Wilson: June 20, 1942 - June 11, 2025
How the art-rock icon used a specific instrument to add uncanny atmosphere to so many Radiohead classics as well as tracks from his new solo album.
www.hearingthings.co
Radiohead’s Ed O’Brien on the Guitar That Defines His Haunting Sound
No lightweight stuff: A Blood & Fire playlist - The Wire
In the second part of a tribute to Steve Barrow, Steve Barker selects ten tracks from the catalogue of Blood & Fire, the reggae reissue label helmed by Barrow and underwritten by Simply Red’s Mick Hucknall and Elliot Rashman
www.thewire.co.uk
As the musician and producer reaches 82, a new documentary reveals his life working with everyone from James Taylor to Carole King to Paul McCartney
www.theguardian.com
Peter Asher on being music’s incredible ‘Everywhere Man’: ‘The secret is simple’
Beauty Out of Misery: Stephen Emmer's 'Asymmetrical Dot'
On 'Asymmetrical Dot,' Stephen Emmer turns grief and new birth into a multigenerational meditation, drawing on the Indonesian folk traditions his mother carried from Ambon to Amsterdam and the hushed compositional vocabulary that hearing loss made necessary.
www.thetonearm.com
The Tonearm
The Tonearm
The Tonearm
The Tonearm
The Tonearm
The Tonearm
The Tonearm
The Tonearm
The Tonearm
We take a deeper look at the theory underpinning Ryuichi Sakamoto’s gorgeous, award-winning theme from the movie that gave him his acting and scoring debut
www.musicradar.com
Dalanie Harris reviews "The Interior Castle" program by Wild Up, performed at Roy and Edna Disney CalArts Theater in Los Angeles on Jun. 6.
icareifyoulisten.com
“We never wanted David to write the score. It would have been a cliché”: Why Ryuichi Sakamoto’s spellbinding theme from Merry Christmas, Mr. Lawrence remains so captivating
Music, Mysticism, and Quiet Radicalism in Wild Up's "The Interior Castle"
from the album Asymmetrical Dot
Cri de Coeur (for Mark Hollis), by Stephen Emmer
stephenemmer.bandcamp.com