"The film is likely to poke, prod, stab, and sting at the ribs of its demographic until their hope for redemption runs out."
Peyton Robinson reviews FIND YOUR FRIENDS:
Costume designer, author, and professor, Deborah Nadoolman Landis, pays tribute to the late Albert Wolsky, who “was always generous with his time, thoughtful in his advice, and encouraging to emerging designers.”
The Bentonville Film Festival launches its 2026 launches on Monday and @Brian_Tallerico highlights some of the most interesting screenings worth seeking out, from Catherine Hardwicke’s STREET SMART, Isabel Sandoval’s MOONGLOW, and Dawn Porter’s WHEN A WITNESS RECANTS:
"While some elements of the story may seem quaint to other parts of the country, Andrew and Melissa Shea show us that Flag Day may be Three Oaks, but Three Oaks is us."
@nellminow.bsky.social reviews FLAG DAY:
“Thee film is a general wash of generalized muted feeling, where nothing coheres because nothing sharpens into focus."
@sheilakathleen.bsky.social reviews O HORIZON:
“It starts with great promise and a visually dynamic monster attack sequence. Then it settles into a mostly formulaic groove."
@simonsaybrams.bsky.social reviews KRAKEN:
Oh hey, that's my review. Here's a link for the rest @ebertvoices.bsky.social: www.rogerebert.com/reviews/all-...
"While one‑dimensional family dynamics and an uneven final act hold it back, Rebecca Hall’s anchored performance and Janicza Bravo’s atmospheric direction ensure the unease lingers."
@rendy.bsky.social reviews THE LISTENERS:
Are two of the biggest horror movies of the decade really about AI? @faroukk.bsky.social writes how BACKROOMS and OBSESSION may be films that “serve as effective metaphors for the horrors AI wreaks upon us.”
“Director Erige Sehiri understands the power of the camera to capture the soul of a person in their visage, especially in such emotionally and politically turbulent times."
@clintworthing.bsky.social reviews PROMISED SKY:
The film is likely to poke, prod, stab, and sting at the ribs of its demographic until their hope for redemption runs out.
While one‑dimensional family dynamics and an uneven final act hold it back, Hall's anchored performance and Bravo's atmospheric direction ensure the unease lingers.
"Studio 4°C remains the best reason to see ALL YOU NEED IS KILL; the animators pack so many enriching details into their adaptation that even the most incidental scene feels consequential." – RogerEbert.com
Monday at Nitehawk Prospect Park in our next ANIME AFTER DARK
