If you've seen DISCLOSURE DAY, you've noticed Courtney Grace, who, as a news anchor, carries the climax almost wordlessly and delivers a knockout turn. Our @davidviramontes.bsky.social spoke to her about the shoot. www.latimes.com/entertainmen...
Threats from another world? Or “vaguely benevolent interstellar therapists trying to help humanity get its act together”? Our staffers have thoughts. www.latimes.com/entertainmen...
EDDINGTON is the most blackly funny American satire in a decade. Come hear me speak with Ari Aster after the @amcinematheque.bsky.social Bleak Week screening on Friday night. www.americancinematheque.com/series/ari-a...
Make room in an already stellar year of horror debuts for Sundance breakout LEVITICUS, which nails a tricky tone and lingers long after. @jenyamato.bsky.social has the story. www.latimes.com/entertainmen...
DISCLOSURE DAY works best as someone’s desperate fantasy to recreate the monoculture, made by an artist who used to define it. (The villain clearly prefers one-to-one streaming.) The ending is basically Spielberg begging us to rewatch E.T. He believes in movies more than aliens.
Her name is Courtney Grace and she carries Steven Spielberg's sci-fi thriller to its emotional climax. She discussed her experience working on the film.
With 'Disclosure Day,' the director returns to a longtime preoccupation. Two Times staffers explore his ongoing fascination with extraterrestrials.
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Rush, now with with monster drummer Anika Nilles, killed last night at the Forum in a show that marks a new phase for them. Here's everything that happened: www.latimes.com/entertainmen...