Inlay

Screenwriter. Not that David Jenkins. He's better looking and way more talented. CA native. OR transplant. 2X Nicholl QF & PAGE QF. cis, he/him #scriptsky https://www.imdb.com/name/nm7469189/?ref_=fn_al_nm_ https://www.networkisa.org/profile/david-jenkins

'Kash Patel? I thought you might be worried….about the security...of your shit.'

Paused MAD MEN while Ted Chaough’s partner was in the hospital and the HBO Max interstitial ad made it look like his dying wish was for a Whopper.

Step one: don’t serve ham at Passover

It was a lovely day for a protest.

Just a few pics from a recent roll of Kodak Ultramax 400. First roll with a newly acquired Pentax Sport 35 point and shoot.

good mornin’ 🌦️ it’s don lockwood’s lucky day 🍀

No, but you can fuck off & then fuck off some more

Easter and Passover food safety tips: How to reduce the risk of foodborne illness bit.ly/4devwXr

BREAKING: U.S. official confirms FBI Director Kash Patel's personal email account was hacked, after group linked to Iran releases personal photos

AI Opens Up a New Way to Restore Classic Movies. Should We Take It?

In 1986, The New York Times ran a screed against a film-restoration trend gaining steam. In an essay published in the thick of the “colorization” craze of the 1980s, the late critic Vincent Canby argued that the process of altering black-and-white movies with modern visual flourishes “desecrated” those classics, writing that “nobody connected with the original[s]…had anything to do with this artistic revisionism” and “of the half-dozen [colorized] films I’ve seen to date, all but one were virtually unwatchable.” The problems in Canby’s view were both ethical and aesthetic, ultimately betraying that key quality of any artwork — that it belongs to the time in which it was made.

The Hollywood Reporter