The 1925 Columbia catalog introduced these recordings and listed the first 7 sets. The sets would continue for over 20 years until the introduction of the LP after WWII, capturing some of the most important artists of the 20th century. Sets in the US "Masterworks" series are at the link below.
Tenor Nahem Simon recorded “Keef abeet-ellail” with oud and qānūn for Victor on July 14, 1925. It is now in the Public Domain. Session data and audio at the link below.
adp.library.ucsb.edu/index.php/ma...
Updated versions of 19 eBook discographies published by Mainspring Press are now available via DAHR. Included are titles not previously available, including Okeh Vertical-Cut Records, Sonora Vertical-Cut Records, and Roycroft Living Tone Records.
adp.library.ucsb.edu/index.php/eb...
Finnish American tenor Otto Pyykkönen made 42 recordings for Victor, Columbia, and Edison between 1924-28. Session data is now available. See the link below.
adp.library.ucsb.edu/index.php/ma...
Finnish musical group Yrjö Saarnion Polkkayhtye made 28 recordings for Columbia between 1942-44. Session data is now available. See the link below.
adp.library.ucsb.edu/index.php/ma...
Victor recorded Bach's “Art of the fugue,” performed by organist E. Power Biggs at Adolphus Busch Hall in the Germanic Museum, Cambridge, MA. Released as M/DM-832 (8 sides) and M/DM-833 (12 sides). Session data at the link below.
adp.library.ucsb.edu/index.php/ob...
Eight sides were recorded by Edna St. Vincent Millay for Victor in April and August 1941. Released as set M-836, “Poems read by the author.” Session data at the link below.
adp.library.ucsb.edu/index.php/ob...
Several Victor masters were recorded by Orquesta Julio Cueva between 1944-49 in Cuba. Solo vocalists include Orlando Guerra, Manuel Licea, and Reinaldo Valdés. Session data at the link below.
adp.library.ucsb.edu/index.php/ma...
Columbia began releasing an ambitious series of album sets in 1925 of complete orchestral and chamber works. The records were primarily derived from masters recorded in England but also from France, Germany, Italy and the US. They were issued in multiple countries where Columbia did business.
Italian tenor Eugenio Cibelli and conductor Charles Adams Prince recorded “L'assassinio di Matteotti” for Victor on February 12-18, 1925. It is now in the Public Domain. Session data and audio at the link below.
adp.library.ucsb.edu/index.php/ma...
Discography of American Historical Recordings (DAHR)
