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I'm thrilled to share that my debut novel, Lessons in Attention, will be out with @tinhouse.bsky.social in 2026! A testament to faith, friendship, and how people change us, it follows a series of friends as they attempt to reach one another across Oxford, Oslo, Brazil. Can't wait to share it 🤗
“What the sentence says is that David and Giovanni’s romance will not last; but that meaning is scored to a music of rapture.” Amazed by @garthgreenwell.bsky.social's take on affirming literature: that affirmation comes as much from style—an author's care—as the subject harpers.org/archive/2025...
A new short story joins the Oxonian Review's 'To Write Hong Kong' column—steeped in the ambivalence of freelancing and the state of being in between: www.oxonianreview.com/articles/the...
A digital souvenir from an incredible conference in Oxford! (Plus my reflection on how creative non-fiction resembles my understanding of Quaker worship— how, at the heart of an assembly of distinct people and thoughts, we come to reach a universal middle that houses the stories we want to tell.)
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On the place of affirmation in art
harpers.org
Enamored of the Abyss, by Garth Greenwell
A short story by Emily Wong.
www.oxonianreview.com
For @pawprinceton.bsky.social, I wrote a guide for the perfect day in my favorite city (and current home): Oxford! Find here an itinerary full of good food and sunshine-y spots, weather permitting... paw.princeton.edu/article/tour...
The Freelancer
Officially arrived at Stanford, aka home for the foreseeable future! This England transplant is yet to be sick of the sun… does one ever tire of it? 🌞
New in The Oxonian Review's 'To Write HK': @arghpoetica.bsky.social's translation of Tang Siu Wa's 'Swan Song' (驪歌): an elegant poem on translational solidarity set against backdrop of the 2006 anti-WTO protest. 'We have never arrived / so we will never leave' www.oxonianreview.com/articles/swa...
Last year I often found myself at a crossroads, thinking: can the events that happen to us be explained by 'divine fate', or is everything totally random? The question made its way into this story, set in Berlin & published this month in La Piccioletta Barca: www.picciolettabarca.com/posts/where-...
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Jimin Kang
Jimin Kang
Jimin Kang
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Jimin Kang
Apr 24, 2025
New on our website: What Is Creative Criticism? A Field Report on a Colloquium at Oxford, hosted by Joe Moshenska and Iris Pearson and with a keynote by Mary Capello.
paw.princeton.edu
A translation of Tang Siu Wa's 'Swan Song', translated by Michelle Chan Schmidt.
www.oxonianreview.com
Tried my hand at writing a short short— a somewhat magical/mystical story about the thin border between rootedness and rootlessness, in The Hong Konger: hongkonger.world/2025/02/28/h...
Swan Song
D. had sensed that the monk would talk to her even before he approached. She couldn’t explain why. The encounter ...
www.picciolettabarca.com
🎉Thrilled to announce we'll publish debut novel LESSONS IN ATTENTION by @jiminkanggg.bsky.social -- Fall 2026! @alyssaogi.bsky.social
La Piccioletta Barca | Where You Need to Go - by Jimin Kang
Jimin Kang
Jun 20, 2025
Jimin Kang
Apr 1, 2025
Jimin Kang
Jimin Kang
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creativecritical.net
In this flash fiction, the writer explores what it means to belong, and to try to leave.
What is Creative Criticism? - A Field Report on a Colloquium: Oxford, June 2024 - Creative-Critical
‘Home is Where the Heart Used to Be’, a short story by Jimin Kang | The Hong Konger
hongkonger.world
Jimin Kang
Creative Critical
Tin House