I actually have performed at the Kennedy Center whilst on scaffolding. I was part of a chorus providing live accompaniment to a Washington Ballet production of Carmina Burana. We were dressed in rough robes to make us look like monks and sang from scaffolding at the back of the stage.
Do you think you'd do another reboot or revive one of the old versions. Your idea sounds like it would work inside the framework of the Waid/Kitson "threeboot" concept.