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Anyone who's been a trade critic in #Cannes knows that sipping champagne on a yacht is the dream but grinding out reviews on minimal sleep is the reality. The THR team, led by our tireless editor @jon-frosch.bsky.social, survived another year. Our favorites: www.hollywoodreporter.com/movies/movie...
HBO's warmly celebratory doc BANG MY BOX: THE ROBIN BYRD STORY, premiering at #Tribeca2026, salutes the sex-positive freedom-of-expression champion and queer community activist who became a singular fixture of NYC public access cable for 21 years. www.hollywoodreporter.com/movies/movie...
Fun to see Maika Monroe flip from scream queen to nutjob 19th century Patrick Bateman. But Zachary Wigon's VICTORIAN PSYCHO is too unsure whether it's horror or comedy to fully work as either. More atmospheric than scary, more silly than fun. #Cannes2026 www.hollywoodreporter.com/movies/movie...
After reflecting on gender identity and sexuality in GIRL and CLOSE, Lukas Dhont's third feature, COWARD, about WWI soldiers finding romantic rescue at the Belgian front, is a less convincing queer love story. Lukas, don't. #Cannes2026 www.hollywoodreporter.com/movies/movie...
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Hafsia Herzi, Benoît Magimel and Monica Bellucci lead Léa Mysius’ THE BIRTHDAY PARTY, a crackling home-invasion thriller drenched in dread, until it stumbles in the third act. Still, slick and highly watchable #Cannes2026 www.hollywoodreporter.com/movies/movie...
Had a lot of fun at STOP! THAT! TRAIN!, Adam Shankman’s delirious throwback to AIRPLANE!-type disaster movie parodies. We need RuPaul as U.S. President, but the MVPs are Ginger Minj and Jujubee, two of many fabulous ‘Drag Race’ recruits. www.hollywoodreporter.com/movies/movie...
Admiring but never hagiographic, MAVERICK: THE EPIC ADVENTURES OF DAVID LEAN is an essential account of a celebrated film career and a messy personal life. Made me nostalgic for pre-digital movies that physically transported us. #Cannes2026 www.hollywoodreporter.com/movies/movie...
Jeffrey Schwarz’s unwieldy but fascinating MINESHAFT: THE CRUISING MURDERS is everything you ever wanted to know about William Friedkin’s polarizing 1980 gay S&M thriller, the murder that inspired it and the controversy it sparked. #Tribeca2026 www.hollywoodreporter.com/movies/movie...
Blown away by Steven Spielberg's deeply felt return to contemplative sci-fi, DISCLOSURE DAY. Supremely assured storytelling, pulse-racing action and a knockout performance from Emily Blunt, alongside Josh O'Connor and Colin Firth, both in strong form. www.hollywoodreporter.com/movies/movie...
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HBO's Sarah Jessica Parker-produced doc pays tribute to the freedom-of-expression champion and queer community activist who took on a corporate monolith and won a national censorship battle.
‘Bang My Box: The Robin Byrd Story’ Review: The Sex-Positive Queen of NYC Public Access Cable Takes a Royal Bow, Nude of Course
www.hollywoodreporter.com
All hail Regina Hall as Brenda Meeks, one of the great comedy creations of the aughts. But even she can’t save the strained new SCARY MOVIE, a patchy meta parody that comes 13 years after the last installment, bringing too few new ideas. www.hollywoodreporter.com/movies/movie...
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Thomasin McKenzie also stars in Zachary Wigon’s tale of a governess serving carnage to the entire household of a Gothic manor, adapted from Virginia Feito’s novel.
‘Victorian Psycho’ Review: Maika Monroe Turns Freaky on Jason Isaacs and Ruth Wilson in a Grand Guignol Bloodbath That’s Unsure if It’s Horror or Comedy
www.hollywoodreporter.com
A gripping melodrama from James Gray, flashy vehicles for Rami Malek and Sandra Hüller, a stunning French coming-of-age saga, a bonkers Korean monster flick and the portrait of a reformed gay party bo...
www.hollywoodreporter.com
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The 20 Best Films of Cannes 2026
Newcomers Emmanuel Macchia and Valentin Campagne play a farm boy and a tailor’s son who find romantic reprieve at the Belgian front during World War I.
www.hollywoodreporter.com
‘Coward’ Review: Lukas Dhont’s Third and Most Ambitious Feature Sticks Soldiers in a Tortured Queer Love Story Mired in Emotional Fraudulence
A family living in a remote farmhouse and their Italian artist neighbor get a nasty surprise when three brothers bully their way in, the eldest of them with a personal agenda.
www.hollywoodreporter.com
Adam Shankman directs this campy descendant of ‘Airplane!’ and its movie-parody stepchildren, about a runaway high-speed passenger train headed into the path of a “stormaganza.”
‘The Birthday Party’ Review: Hafsia Herzi, Benoît Magimel and Monica Bellucci in Léa Mysius’ Gripping if Uneven Home-Invasion Thriller
‘Stop! That! Train!’ Review: RuPaul, Ginger Minj and Jujubee Queer the Disaster Comedy With Infectious Silliness and Charm
www.hollywoodreporter.com
Barnaby Thompson’s doc traces the life and career of the ‘Lawrence of Arabia’ director, whose influence is acknowledged by luminaries like Francis Ford Coppola, Alfonso Cuarón, Steven Spielberg and De...
www.hollywoodreporter.com
Queer culture doc specialist Jeffrey Schwarz looks at the killing that inspired the 1980 film 'Cruising' and the protests triggered by perceptions of internalized homophobia, exploitation and stigmati...
www.hollywoodreporter.com
‘Maverick: The Epic Adventures of David Lean’ Review: A Master of Cinematic Spectacle With Less Mastery Over His Rocky Personal Life
‘Mineshaft: The Cruising Murders’ Review: An Engrossing if Incohesive Dive Into William Friedkin’s Gay S&M Thriller and Its Surrounding Controversy
Also featuring Colman Domingo, Eve Hewson and Wyatt Russell, the David Koepp-scripted sci-fi thriller asks, “What if we discover we’re not alone in the universe as our own world teeters toward destruc...
www.hollywoodreporter.com
Marlon Wayans, Shawn Wayans, Anna Faris and Regina Hall are back, mixing legacy characters with fresh faces in peril in this sixth installment, dubbed a “rebootiquel.”
www.hollywoodreporter.com
‘Disclosure Day’ Review: Emily Blunt, Josh O’Connor and Colin Firth Lead Steven Spielberg’s Spellbinding Return to What He Does Best
‘Scary Movie’ Review: The Wayans Brothers’ Slasher Spoof Franchise Should Have Been Left for Dead
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