Rueben Award Winner | 2x Eisner nominated Writer-cartoonist of comics & painter of things. Currently working on sequel to award-winning debut graphic novel Kodi
https://linktr.ee/jaredcullum
Jared Cullum
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Signing and sketching on the tip-ins sheets for the limited edition collected hardcover! Don’t forget to preorder yours! Issue 4 comes out next week! :)
Gouache demos from a class tonight of some flowers.
There's little Usagi I don't own but that Space Usagi ashcan was a must buy, the Critters #3 is signed and meeting @jaredcullum.bsky.social was a real treat. Dudes a magician with watercolors
Watercolors for heroes con requests
Golly thanks!
#Comics
Kaitō 84 #3 of 5
Written by @comicnerd1988.bsky.social & @jaredcullum.bsky.social
Art by Jared Cullum
From @darkhorse.com
Beautiful, absolutely beautiful. Visually and storywise. This book is mouthwateringly good. Every brush stroke, the texture of the paper, it’s all there to see.
Our own @jedkeith.bsky.social spoke with writer @comicnerd1988.bsky.social and artist @jaredcullum.bsky.social about Usagi Yojimbo: Kaitō ’84 from @darkhorse.com and Stan Sakai’s Dogu Publishing!
www.freaksugar.com/interview-ja...
Miller, Sakai, Mignola - Dark Horse Comics has been home to some of the greatest visual storytelling. For the the publisher's 40th anniversary, Jared Cullum (Usagi Yojimbo: Kaito '84) joins us to share his personal story. @darkhorse.com @jaredcullum.bsky.social
The rabbit rōnin known as Usagi Yojimbo has been an adventuring force for good in comics and on screen for over 40 years. First appearing in Albedo Anthropomorphics, Usagi Yojimbo was brought to life ...
Dark Horse Comics has carved out a legacy built on creator-driven storytelling, genre-defining runs, and characters that have inspired many. For the their 40th anniversary, Jared Cullum (Usagi Yojimbo...
#Comics
Kaitō 84 #3 of 5
Written by @comicnerd1988.bsky.social & @jaredcullum.bsky.social
Art by Jared Cullum
From @darkhorse.com
Beautiful, absolutely beautiful. Visually and storywise. This book is mouthwateringly good. Every brush stroke, the texture of the paper, it’s all there to see.
