Gotta go to work, gotta go to work, gotta write a song.
spectrumculture.com/2026/06/11/m...
Though they featured a short setlist, baroque-rock septet Racing Mount Pleasant proved that they’re the real deal at Aladdin Theater in Portland.spectrumculture.com
An Eraser and a Maze is a sign that the worst is truly behind them. It takes the bright, psychedelic colors that characterized The Golden Casket and brings them more in line with what made the band tr...
I wrote about Sonic Youth's first great album for @spectrumculture.bsky.social. Still brilliant, even if it annoys me that streaming services list "Expressway to Yr. Skull" as "Madonna, Sean & Me." Further evidence of the superiority of physical media: spectrumculture.com/2026/06/10/d...
Identification of a Woman, a late career Antonioni film and the last he directed entirely by himself, might be for sickos and completionists only. But it also contains some of the most sublime photography of the master's career.
At @spectrumculture.bsky.social I tried to make sense of it all.
Sonic Youth's third album and SST debut introduced Steve Shelley to the world and showed that arty avant-gardisms and howling hardcore could be turned into genuine songs. It changed things for the ban...
spectrumculture.com
Identification of a Woman is a film known for its sex scenes, not its cinematic power, and indeed, its eroticism is provocative even by today’s standards.
WE RECOMMEND: SUSS: Counting Sunsets
SUSS's careful work on Counting Sunsets creates an intoxicating, cinematic masterpiece of perfectly curated sound.
While there’s no shame in making a nasty piece of shlock, Smile is a bargain bin horror movie dressed in the aesthetics of better films.
SUSS's careful work on Counting Sunsets creates an intoxicating, cinematic masterpiece of perfectly curated sound.
spectrumculture.com
WE RECOMMEND: Vince Staples: Cry Baby
After a run of similar-sounding introspective records molded primarily by Def Jam’s concerns about keeping him hip hop, Cry Baby marks a breakaway from the norm for Vince Staples. It may not be punk, precisely, but it certainly rhymes.
After a run of similar-sounding introspective records molded primarily by Def Jam’s concerns about keeping him hip hop, Cry Baby marks a breakaway from the norm for Vince Staples. It may not be punk, ...
