The first trailer and poster (featuring the best possible critic's quote) for the Sundance standout Night Nurse has arrived ahead of a July release.
Watch: thefilmstage.com/cemre-paksoy...
Mexico's first stop-motion feature I Am Frankelda, now on Netflix, speaks truth to power while still providing an infectious level of fun.
Read @jaredmobarak.com's review:
The Film Stage
The Film Stage
Elliot Tuttle's Blue Film, Mexico's first stop-motion feature, and more streaming picks of the week.
A De Palma retrospective, King Vidor on 35mm, Douglas Sirk in 3D, and more films to see in NYC this weekend.
The U.S. teaser poster for Kiyoshi Kurosawa's The Samurai and the Prisoner, opening July 31.
Read @leonardogoi.bsky.social's Critic's Pick review from Cannes: thefilmstage.com/cannes-revie...
The 16 best films now playing in theaters: thefilmstage.com/the-best-mov...
Jeffrey McHale's It's Dorothy!, now on digital and Peacock, tracks Dorothy Gale through every iteration and the resulting cultural impact.
The Film Stage
The Film Stage
We're delighted to exclusively announce that Altered Innocence has acquired North American rights to the new restoration of Virgina (Virdžina), the acclaimed 1991 feature from celebrated Serbian filmmaker Srđan Karanović.
With The Death of Robin Hood, Michael Sarnoski is concerned with the act of storytelling, and how each story evolves (or devolves) over time.
Read @djmecca.bsky.social's review:
The Film Stage
The Film Stage
The Gas Station Attendant carries the significant weight of relaying an important message about the American immigrant experience within a dangerously regressive political climate.
Read @sohamandcheese.bsky.social's review:
The Film Stage
How many times has the story of Robin Hood been told? How many books have been written, how many movies made about the outlaw? With The Death of Robin Hood, writer-director Michael Sarnoski goes back ...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Blue Film (Elliot Tuttle) ...
NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtThe exquisitely programmed Universal Westerns continues with two by Robert Aldrich, King Vidor on 35mm, and Douglas...
thefilmstage.com
We're delighted to exclusively announce that Altered Innocence has acquired North American rights to Virgina (Virdžina), the acclaimed 1991 feature from celebrated Serbian filmmaker Srđan Karanović. T...
In a political climate as antagonistic toward immigrants as any I can recall, deeply personal stories like Karla Murthy’s The Gas Station Attendant remind us of the hardship and passion required to ma...
Note: This review was originally published as part of our 2025 Fantasia coverage. The film arrives on Netflix on June 12. More than the similarly mythologized Monsters, Inc., the first stop-motion fea...
thefilmstage.com
thefilmstage.com
Note: This review was originally published as part of our 2025 Tribeca coverage. The film arrives digitally and on Peacock on June 12. Upon hearing the name “Dorothy” I, like most, immediately think o...
