//
sign in
Profile
by @danabra.mov
Profile
by @dansshadow.bsky.social
Profile
by @jimpick.com
AviHandle
by @danabra.mov
AviHandle
by @dansshadow.bsky.social
AviHandle
by @katherine.computer
EventsList
by @katherine.computer
ProfileHeader
by @dansshadow.bsky.social
ProfileHeader
by @danabra.mov
ProfileMedia
by @danabra.mov
ProfilePlays
by @danabra.mov
ProfilePosts
by @danabra.mov
ProfilePosts
by @dansshadow.bsky.social
ProfileReplies
by @danabra.mov
Record
by @atsui.org
Skircle
by @danabra.mov
StreamPlacePlaylist
by @katherine.computer
+ new component
ProfilePosts









Loading...
One of Alexander Graham Bell’s tetrahedral kites in flight, 1904
Ben Nicholson / Earth and Moon
5d
2d
Spread from Konrad Klapheck - Derrière Le Miroir, 1979
7h
⌜⁘⁘⁘⌟ ⌜⁘⁘⁘⌟ ⁘⁘⁘⁘⁘⁘⁘
Geomodulo #5 and #6 When giving visibility – both metaphorically and structurally – to the algorithmic nature of geology, how does perception work with missing or interpolated data at different scales and different distances of reference?
9d
Lily Greenham Homecomputer Graphic, 1982 Installation view, Radical Software, Women, Art & Computing 1960-1991
���
⧉ Cube³s #583 file:///C:/Users/44776/Downloads/generate-preview_c6555eef-6ad1-406f-b02b-6ab9678a8164(1).png
System-Z (lace card)
2d
1d
3d
13d
9d
Kurt Schwitters Plate 3 from Merz 3 [i.e. the third of six prints which Schwitters published in portfolio form as Number 3 of his journal Merz] 1923 paper collage on lithograph 55.5 x 44.6 cm
25d
Paul Prudence
Paul Prudence
Paul Prudence
Paul Prudence
Paul Prudence
Paul Prudence
Paul Prudence
Paul Brightwell