Here's a #HigherEducationPostcard of @uniofgalway.bsky.social
This was founded in 1845 as part of the Queen's University of Ireland along with its sisters in Cork and Belfast
If you like this image, I’d really appreciate a repost - remember, BlueSky has #NoAlgorithm
12–13 May at #ANTF2026 @ntfellows.bsky.social. My presentation explored how co-creation can enhance student engagement and employability. Inspirational educators, and delighted to meet @profsallybrown.bsky.social and receive a signed copy of her book @suebecks.bsky.social @profwgarnham.bsky.social
Garden party with book swap
Dr. Gustavo Espinoza-Ramos
Well, yes, I agree with what @[email protected] has to say, but sadly for years I had many people ramming it down my throat that qualitative research was inferior to quantitive research so that always gave me a bit of a sense that mine wasn’t proper research
You might like this @kaysambell.bsky.social
If you do do a follow up you could ask me to pop in!
Was delighted to meet you Gustavo. Enjoy your book!
He doesn’t know that I might treat him to that as well
I was studying in Newcastle in 1970
Hugh Jones
Thanks for this recommendation Stephen, I’ve just ordered it for Phil
bluesky.social
Sally Brown
Sally Brown
Sally Brown
Sally Brown
Sally Brown
12–13 May at #ANTF2026 @ntfellows.bsky.social. My presentation explored how co-creation can enhance student engagement and employability. Inspirational educators, and delighted to meet @profsallybrown.bsky.social and receive a signed copy of her book @suebecks.bsky.social @profwgarnham.bsky.social
Sally Brown
Sally Brown
Sally Brown
massive roller disco
A ragman’s horse and barrow, Shipley Street and Union Road, Byker, Newcastle, 1970, photo by Sirkka-Liisa Konttinen.
Dr. Gustavo Espinoza-Ramos
Gaby Hinsliff
I hope he enjoys it. Is he familiar with Berio’s rather different Rendering of the same sketches? It’s wonderful
Okay but
What would YOUR totally gratuitous White House lawn event be, if YOU were the mad king of a dying superpower
Sunday afternoon listening. Newbould’s rendering of the 10th is lovely, but what would Schubert have done with it had he lived to complete it? What further masterpieces would he have produce had he lived another five years?
