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‘Benjamin Myers’s Christology is founded on the sense of scandal, shock and outrageousness that Kinski, as a subject, brings with him. As he rants and struts about the stage, the crowd boo him and call him a fascist.’ Jon Day reads 𝘑𝘦𝘴𝘶𝘴 𝘊𝘩𝘳𝘪𝘴𝘵 𝘒𝘪𝘯𝘴𝘬𝘪. www.lrb.co.uk/the-paper/v4...

Klaus Kinski is in some respects the archetypal Myers character: a charismatic, morally compromised figure fully...