‘If Marcel Duchamp rejected painting, it also rejected him: he was a poor painter, as the first gallery, dotted with splotchy landscapes and unlovely nudes in the manner of Monet and Degas, makes clear.’
Hal Foster on the Duchamp retrospective at MoMA.
www.lrb.co.uk/the-paper/v4...
In 1973, when a Marcel Duchamp retrospective was last staged in the United States, the critic Lucy Lippard declared...
