OsamaSon's
'Jump Out'
In a glitchy, chaotic amusement arcade OsamaSon rages about his desire for clothes and cash, women and war.
tQ25.F.22 - Ignore.
Eiko Ishibashi's
'Antigone'
Despite the grandeur and sweeping romaticism, the primary projection is of enclaved bourgeousie. It's music to accompany a catered dinner party for one.
tQ25.F.23 - Ignore.
Suede's
'Antidepressants'
You're playing the villain. It's a club chase scene. There's a band on stage. For a moment you lock eyes with the singer, misjudging the whump of the hero's double's impact. "CUT". You shake your head and go again.
tQ25.F.21 - Ignore.
Microcorps'
'CLEAR VORTEX CHAMBER'
Like barely hearing a row at the other end of an independent M.O.T. centre.
tQ25.F.29 - Ignore.
Leo Chadburn's
'Sleep In The Shadow Of The Alternator'
Lulling spoken word in a serious tone over tasteful electronica which requires either active listening or scant attention.
tQ25.F.24 - Ignore.
DJ K's
'Radio Libertadora !'
Like putting an emergency service vehicle's siren through autotune xored with sin. An excellent cacaphony.
tQ25.F.26 - Ignore.
Jim Ghedi's
'Wasteland'
You can tell when an artist has fully committed to the form, and so it is here with a trust-fall off the slate cliff into dark pools of lost craft, exaggerated diction and anthemic folk of auld England.
tQ25.F.28 - Ignore.
Los Pirañas'
'Una Oportunidad Más de Triunfar en la Vida'
Frenetic Columbian party-time music. There are obvious foundations but every now and again there's a two step of ska or a bass line of oompah to pull you out of the wild abandonment.
tQ25.F.27 - Ignore.
Širom's
'In The Wind Of Night, Hard-Fallen Incantations Whisper'
Pastoral romance emerges from the improvised folk on which this trio builds their fizzing polyphonic vignettes.
tQ25.F.25 - Ignore.
Širom's
'In The Wind Of Night, Hard-Fallen Incantations Whisper'
Pastoral romance emerges from the improvised folk on which this trio builds their fizzing polyphonic vignettes.
tQ25.F.25 - Ignore.
