Being a good colorist vs being a good colorist for print. So many comics or illustrations get crushed by bad color management, CMYK conversions or forget to take into account the fact that paper isn’t backlit.
I've been thinking a lot about visible vs invisible skill layers. i.e every craft has outer layers of skills that laypeople can recognise, and inner layers that you need expertise and experience to perceive at all. Could y'all think of examples of visible vs invisible skills in your own discipline?