WIP renders of the complete internal parts. Made in Maya, rendered with Arnold. #AutodeskMaya #ArnoldRenderer
WIP test render of the interior parts. Made in Maya, rendered with Arnold. #AutodeskMaya #ArnoldRenderer
Updated test render. Rendered with Karma XPU in Houdini. #Sidefx #Houdini
Andrew James Hartley’s experience in the theater adds a number of new and interesting choices to a play that is very difficult to add to. Julius Caesar also happens to be one of my favorite works of Shakespeare and an excellent place to start. #Shakespeare
WIP test render of the shapes for the interior parts. Made in Maya, rendered with Arnold. #AutodeskMaya #ArnoldRenderer
Render of the final radio model without textures. Made in Maya, rendered with Arnold. #AutodeskMaya #ArnoldRenderer
Curtis Perry and Ayanna Thompson do an excellent job with a chaotic text of a chaotic play that demands to be understood in the context of the most current scholarship.
#Shakespeare
Zenith Radio Model for VFX
artstation.com/artwork/4Nrgwk
Modeled in Maya, textured in Substance Painter, rendered with Arnold.
#AutodeskMaya #MadeWithSubstance #ArnoldRenderer
Render of radio with textures. Made in Maya, textured in Substance Painter, rendered with Arnold.
#AutodeskMaya #MadeWithSubstance #ArnoldRenderer
The General Editors of the @ardenpublisher.bsky.social Fourth Series have managed to make these new editions more accessible while maintaining the same level of scholarship. The expanded "How to use this edition" section is particularly helpful. Quite an achievement. #Shakespeare
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Zenith 10-S-130 radio for VFX. Modeled in Maya, textured in Substance Painter. Grill curves created with Bifrost. Logos created in Photoshop. Rendered with Arnold.
