Online lit mag. Authoring change. From the people who built these cities.
theoffingmag.com
The Offing
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“I wanted to be flat and controlled instead of a body with a wash running dirty with desire in its heart.”
From “Object Lessons,” an essay by Erin L. Thompson.
theoffingmag.com/essay/archiv...
“Lean against doorframe (where?) watching the world go by, then approached by a lovestruck boy. Regards me earnestly: I have never seen anyone as beautiful as you.”
From “Participant Observation,” a BOTE essay by Niko Kristic.
theoffingmag.com/backoftheenv...
The Offing
The Offing
“Loud, heap miseries upon us yet entwine our arts with paychecks
low! Here Comes Everybody.”
From “Finnegans Wake Forest,” a Wit Tea humor piece by Mark Abdon.
theoffingmag.com/wit-tea/finn...
“The night, River. You might be me. While I am you. River, you might be a curve. Or a tangerine or a magnolia or a lightbulb, or a triangle for that matter.”
From “Unclean nothingness,” and other poems by Kim Sono, translated from Korean by Eunice Lee.
theoffingmag.com/translation/...
“I wait tables for angel investors.”
From “Lies, I Tell You,” a Wit Tea humor piece by Benjamin Niespodziany.
theoffingmag.com/wit-tea/lies...
“because it is quiet, free, and beautiful”
From “On public services,” a Micro poem by Henry Kneiszel.
theoffingmag.com/micro/on-pub...
“Her little mending boy. Mother’s little joined-at-the-hip.”
From “Mother’s Little Husband,” a poem by Nick Martino.
theoffingmag.com/poetry/mothe...
“I think that the short story form and the linked collection, at least for me, felt like the perfect form through which to write about Hawai’i.”
From an interview with Mariah Rigg, author of EXTINCTION CAPITAL OF THE WORLD by Shira Leah Haus.
theoffingmag.com/interviews/1...
“Like the Parasite home, Kyung-Me’s rooms induce anxiety through the illusion of openness and transparency.”
From “House of Worship,” an Art essay by Danielle Wu, originally published on January 14th, 2020.
theoffingmag.com/art/archive-...
