The Big Takeover is a bi-annual music magazine published out of New York City since 1980 by Jack Rabid and an army of volunteers.
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BigTakeoverMag
The new issue of @bigtakeover.com includes reviews of our recent releases from THE BLASTERS, ROMEO VOID and JIMMY WITHERSPOON & ROBBEN FORD.
Pick up issue #98 today!
Western Mass. electronic-pop and pizza-core artist @sammulliganmusic.bsky.social serves up a wild new DIY video for 'UR NOT INVITED (to my pizza party)' this Friday, and you can watch it early RIGHT NOW over at @bigtakeover.com.
bigtakeover.com/news/video-p...
Joan As Police Woman revisits Real Life with new collaborators, deeper instrumental space, and a sense of motion that reveals how much room these songs had inside them from the beginning.
We’ve loved the singles that French Dogs have put out so far. But if listening to songs like “Tucker’s Having A Baby” and “Broken Glass” is the equivalent of a fun chance encounter, Here’s to Pretending feels like leaning on the bar and lingering for a few pints together.
The sprawling, 23-song double-LP V: Heroic Dose diverges from this Kansas City, MO quintet’s typical weighty rock albums; on the other hand, X: Live sticks to their harder-hitting trademark psych, post-rock, and prog oeuvre.
With her album of covers, Born in Time, now out, it seemed the perfect time to catch up with Racelle Garniez to find out about her influences, her start in music, travels and collaborations, and everything else that makes her one of the most eclectic, interesting and exciting music makers today.
Liberation Hall
The Buddyrevelles are on the precipice of concluding their Trilogy of the EPs series. A 3 year journey spanning 3 EPs, culminating with the release of The Conviction slated to arrive June of 2026.
Dick Valentine is perhaps best known as the frontman for Detroit’s premier all-purpose musical extravaganza Electric Six,
Trading his amplifiers for a classical guitar, Connors made a trio of LPs focusing on acoustic music, of which 1978’s Of Mist and Melting, now reissued as part of ECM’s vinyl-only Luminessence series, is the second and best known.
We're not saying that What’s the New Mary Jane sounds like any one band or artist in particular, but they do sound like a time and a scene. That time is the sixties, fading out as the seventies are ushered in.
