Established in 1932. Published by the British Film Institute. Home of the once-a-decade Greatest Films of All Time poll.
https://www.bfi.org.uk/sight-and-sound
Sight and Sound magazine
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A creatively challenged writer-director is writing a screenplay about a creatively challenged writer-director in an entertaining self-reflexive experiment from Almodóvar that feels like a bit of a stopgap.
@jessicakiang.bsky.social reviews Bitter Christmas www.bfi.org.uk/sight-and-so...
Sight and Sound magazine
"Even though I’m more associated with gangster movies, I’ve always kind of preferred cop movies… The Rip one of the finest examples”
Now online in full: Quentin Tarantino on The Rip
“To my knowledge, nobody has made a walking-simulator out of La notte, or Sátántangó… Points of crossover do exist, however.”
Adam Nayman on the winding cinematic hallways that lead to Exit 8
“Would knowing ‘we are not alone’ dissolve human tribalism? Could we even accept it, in the AI-age of fake news? Spielberg’s resolutely spiritual view of this cosmic concept fervently wants us to believe so”
Kate Stables reviews #DisclosureDay. www.bfi.org.uk/sight-and-so...
NEW ISSUE! 🤖
21st century sci-fi special 🚀
Featuring new writing by Michael Atkinson, Jeff VanderMeer, Emily Inkpen, Sophie Mackintosh and more 🖋
Cover artwork by Butcher Billy 🎨
Get your copy now from the BFI Shop shop.bfi.org.uk/sight-and-so...
See what's inside www.bfi.org.uk/sight-and-so...
“Think of it as Premium-Class Mumblecore, with tempting extra features like ‘Foreign location; retro European art-cinema detailing; famous singer moonlighting as an actress’”
Kate Stables reviews Erupcja, out now. www.bfi.org.uk/sight-and-so...
“If you believe, it’s science fact; if you don’t believe, it’s science fiction. I’m an agnostic between the two beliefs, so for me it’s science speculation.”
As a new Spielberg sci-fi feature hits cinemas, we look back nearly 50 years, to a set visit from Close Encounters of the Third Kind
When director Laurent Cantet passed away, his longtime collaborator Robin Campillo stepped in to finish his final film, Enzo, a portrait of tetchy adolescence that gracefully blends their directorial styles.
@guylodge.bsky.social reviews Enzo, out now.
www.bfi.org.uk/sight-and-so...
When director Laurent Cantet passed away, his longtime collaborator Robin Campillo stepped in to finish his final film, Enzo, a portrait of tetchy adolescence that gracefully blends their directorial styles.
@guylodge.bsky.social reviews Enzo, in cinemas Friday. www.bfi.org.uk/sight-and-so...
In Sara Dosa and Andri Snær Magnason’s moving essay film, Iceland’s vanishing glaciers become a haunting measure of family memory, deep time and climate catastrophe.
Rachel Pronger reviews Time and Water, out Friday. www.bfi.org.uk/sight-and-so...
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Sight and Sound magazine
Steven Spielberg’s alien whistleblowing sci-fi has masterly action sequences and an effortless performance from Emily Blunt but lacks the awe and spectacle that Close Encounters and A.I. attained with...
Writing exclusively for Sight and Sound, Tarantino sings the praises of Joe Carnahan's thriller The Rip, which puts the heat on Ben Affleck and Matt Damon's cops in a cartel stash house. It's an achie...
www.bfi.org.uk
Adapted from the sleeper-hit video game The Exit 8, a walking simulator in which a Tokyo commuter roams the glitchy labyrinth of a blank subway station, Kawamura Genki’s Exit 8 shuffles in the footste...
In our Spring 1977 issue, we joined Spielberg on the set of his fourth feature, Close Encounters of the Third Kind, to discuss UFOs, casting François Truffaut and the primal elements of his box office...
When director Laurent Cantet passed away, his longtime collaborator Robin Campillo stepped in to finish his final film, Enzo, a portrait of tetchy adolescence that gracefully blends their directorial ...
A creatively challenged writer-director is writing a screenplay about a creatively challenged writer-director in an entertaining self-reflexive experiment from the Spanish great that feels like a stop...
www.bfi.org.uk
Pete Ohs’ airy exploration of desire, travel and self-mythology feels like Premium-Class Mumblecore, starring Charli xcx as a restless British tourist hoping to reconnect with someone from her past.
When director Laurent Cantet passed away, his longtime collaborator Robin Campillo stepped in to finish his final film, Enzo, a portrait of tetchy adolescence that gracefully blends their directorial ...
