//
sign in
Profile
by @danabra.mov
Profile
by @dansshadow.bsky.social
Profile
by @jimpick.com
AviHandle
by @danabra.mov
AviHandle
by @dansshadow.bsky.social
AviHandle
by @katherine.computer
EventsList
by @katherine.computer
ProfileHeader
by @dansshadow.bsky.social
ProfileHeader
by @danabra.mov
ProfileMedia
by @danabra.mov
ProfilePlays
by @danabra.mov
ProfilePosts
by @danabra.mov
ProfilePosts
by @dansshadow.bsky.social
ProfileReplies
by @danabra.mov
Record
by @atsui.org
Skircle
by @danabra.mov
StreamPlacePlaylist
by @katherine.computer
+ new component
Profile
Loading...
editor & scholar. Pop music, gender, philosophy. Books: GOOD VIBES ONLY; THE FUTURE OF ROCK & ROLL; THE SONIC EPISTEME; RESILIENCE & MELANCHOLY. Writing a 33 1/3 on The Breeders. Bylines all over, views could only be mine lol. its-her-factory.com
Robin James
Loading...
1d
also this is vibe theorizing (the humanities version of 'vibe coding', not the kind of theorizing of vibes I do in my forthcoming book)
Robin James
Since we are getting a new Stuart Price produced Madonna album can we also get a new Jacques Lu Cont Essential Mix?
Yes and down to the players, their pedigree, and the stakes, this goes back to the purging of continental philosophy in the McCarthy era. Same alignment of people and institutions, new era. Read John McCumber’s TIME IN THE DITCH.
I am reminded of Kara Keeling's argument that digital technologies co-opt techniques traditionally found in radical Black aesthetic practices (Queer Times, Black Futures, the chapter on Grace Jones)