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In Paul Graham’s book “A1: The Great North Road,” life along a major British thoroughfare reveals fissures in the nation’s identity. www.newyorker.com/culture/phot...
Can you make a longer word with each new letter? www.newyorker.com/puzzles-and-...
Can you sort the items into the correct order? www.newyorker.com/puzzles-and-...
How this weekend’s U.F.C. cage fight might mask a Presidency in decline. www.newyorker.com/podcast/poli...
A new book argues that the oldest Americans, because of their retrograde politics and ever-increasing presence, are profoundly reshaping our collective life. newyorkermag.visitlink.me/bfKlym
Misophonia, a neurophysiological disorder characterized by a severe aversion to sound, often leaves those who struggle with it ashamed or angry. “One of the problems with the condition is that it overlaps with the human condition,” Sloane Crosley writes.
newyorkermag.visitlink.me/BqODfT
The writer and artist’s 1972 installation “Terminal Piece” shows us the failure of language in the face of violence. www.newyorker.com/culture/the-...
For Les Grenadiers and their fans, the game will be about the confrontation of a certain psychological displacement. www.newyorker.com/culture/crit...
On June 14th, Switzerland will vote on whether to become the only country in the world to officially cap its population, with a limit of 10 million people until 2050. The initiative could upend the nation’s economy and rupture ties with the European Union. newyorkermag.visitlink.me/AuQnF1
The New Yorker
Edmonia Lewis is credited with being the first African American and Indigenous woman artist of international fame, but the focus on her race undercuts the subversion of her sculpture. www.newyorker.com/magazine/202...
The New Yorker
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The New Yorker
In Paul Graham’s book “A1: The Great North Road,” life along a major British thoroughfare reveals fissures in the nation’s identity.www.newyorker.com
She was a Black and Indigenous woman who became famous for working in white marble. But the focus on her race can obscure the subtle, often contradictory triumphs of her art.
