Stop Making Sense It/It
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X Ray Eyes
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Masculin Féminin, Jean-Luc Godard (1966)
Stayin' Alive.
Gian Maria Volonté in Elio Petri’s La classe operaia va in paradiso, 1971.
A ferocious portrait of industrial alienation, built around one of the most physically committed performances in Italian cinema.
Antonio Gaudí, Hiroshi Teshigahara (1984)
This documentary arises from a deeply personal fascination of the Japanese director, better known as a leading figure of the Japanese New Wave.
Read here: open.substack.com/pub/micromet...
Isabella Rossellini at a rally for the decriminalization of abortion in Rome, 1975.
Shot by Paola Agosti.
Paola Agosti is an Italian photographer best known for her documentary and reportage work, marked by a strong political and social commitment.
A TRILLIONAIRE ISN’T A SUCCESS STORY.
IT’S A POLICY FAILURE.
The soundtrack is kindly provided by the Dead Kennedys.
“Kill the Poor” was released in 1980 as a single and included in the debut album Fresh Fruit for Rotting Vegetables.
Goto, l’île d’amour (Goto, Island of Love), Walerian Borowczyk (1969)
The island of Goto is an imaginary state: time has stopped and power is exercised with the placid brutality
«I want to go back to the origins of cinema: to improvisation, to eliminate that Gestapo that is the screenplay, so that from every shot a piece of the universe may grow»
Luis García Berlanga
El verdugo (The Executioner), Luis García Berlanga (1963)
Le testament d’Orphée (The Testament of Orpheus), Jean Cocteau, 1960.
The film is a visual poem, a self-portrait in fragments, an unceasing visual invention.
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In uno spazio chiuso e soffocante, il regista Walerian Borowczyk inscena una storia di desiderio, tradimento e morte con la fredda eleganza di un entomologo.
