//
sign in
Profile
by @danabra.mov
Profile
by @dansshadow.bsky.social
Profile
by @jimpick.com
AviHandle
by @danabra.mov
AviHandle
by @dansshadow.bsky.social
AviHandle
by @katherine.computer
EventsList
by @katherine.computer
ProfileHeader
by @dansshadow.bsky.social
ProfileHeader
by @danabra.mov
ProfileMedia
by @danabra.mov
ProfilePlays
by @danabra.mov
ProfilePosts
by @danabra.mov
ProfilePosts
by @dansshadow.bsky.social
ProfileReplies
by @danabra.mov
Record
by @atsui.org
Skircle
by @danabra.mov
StreamPlacePlaylist
by @katherine.computer
+ new component
Profile
Loading...
I write about music and arts, cities, and radical memory. Author, "Shake the City" from 1968 Press. Substack: alexanderbillet.com Insta: instagram.com/ubupamplemousse/
Alexander Billet









Loading...
alexanderbillet.substack.com/p/oceans-aga...
alexanderbillet.substack.com/p/oceans-aga...
A bit more on Rothko and oceanic feeling. alexanderbillet.substack.com/p/oceans-aga...
Something short on Rothko, oceanic feeling, and (of course) late capitalism.
Probably going to write something about this. I do like Optic Sink's music, and I certainly love the films of Maya Deren. They've crafted something that really captures her here.
More on art, new heights of alienation, and late capitalism.
I'll be honest, I'm not sure what I find so compelling about this particular ambient album. It is by no means groundbreaking, but it does seem to skate between a few different structures of feeling I associate with the best of ambient: other-worldly, somewhat futuristic, but, somehow... organic?
If Spencer Pratt becomes mayor of Los Angeles, then it's only a matter of time until he tries to get sex tapes recognized as legal currency in Southern California.