It's so wild. "What is actually represented and supported in the text" is like such a useful lens to analysis and it's like we took the thing that sounded the most brandable without thinking too hard about where it came from
Kayin
Insane how much it feels like the useful, good-faith interpretation of the concept as a potential way to critically explore media arose almost on accident from society losing a game of telephone that apparently started with the transmisogynist version of The Curtains Are Blue.
