The Backrooms is a pretty apt horror mythos for a generation growing up in Ghost Town America. Fake job listings, empty houses, studios spending $200m on a movie just to shelf it for a tax break. We already live in a hollow, uncanny facsimile of American life built by powerful aliens.
Your favorite band isn't your favorite band. Motown was pretty much entirely the Funk Brothers, who probably have more number one hits than any band you know by name.
If Jamie Kennedy's monologues were intended as legitimate critique of slasher films, why were they given to Jamie Kennedy?
Watch a dozen slashers and you'll see so many "exceptions to the rule" that you'll wonder if any of these directors knew there was a rule in the first place.
We sure showed THEM who's boss around here.
Leave it to Democrats to whine that Israel is the real victim in all this.
The key to Scream is that Jay & Silent Bob are in the third one.
The movie isn't a satire on slasher films, it's a satire on Gen X geek culture.
"Anyone who would camp out in a tent on the sidewalk for weeks in order to be first in line for a movie is more into camping on the sidewalk than movies"
