Associate Editor at RogerEbert • Contributor: The New York Times • Screen Daily • Reverse Shot • Letterboxd
Robert Daniels
yayyy love him
7 years ago today, I made my debut on @ebertvoices.bsky.social with a piece about THE LAST BLACK MAN IN SAN FRANCISCO.
Pretty sure this is the first time I've ever poured my heart into a 4-star review on my birthday. I love Disclosure Day. www.rogerebert.com/reviews/disc...
love this!! 🦩🦩
This film is one of my favorites of the past several years and it's worth your time if you can find it. This review captures exactly why it's important, but also the extraordinary beauty and storytelling it contains.
John Waters is a national treasure 🦩🦩🦩
This is sorta why DISCLOSURE DAY wasn’t going to premiere at Cannes. It was never going to appeal to a certain audience that’s always kinda suspicious of Spielberg.
dream come true to tell John Waters about how my best friend's older brother showed us PINK FLAMINGOS when were eight because we were both fans of HAIRSPRAY and CRY-BABY.
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.
"So, in a way, humor is what saved my life, and that is political, always."
For @ebertvoices.bsky.social, I spoke with the Pope of Trash himself, John Waters!
Robert Daniels
Maggie Hennefeld
Leigh K. Hoopes
🏳️🌈 Ms. Marya E. Gates 🦩
Elisabeth Van Every
"So, in a way, humor is what saved my life, and that is political, always."
For @ebertvoices.bsky.social, I spoke with the Pope of Trash himself, John Waters!
"So, in a way, humor is what saved my life, and that is political, always."
For @ebertvoices.bsky.social, I spoke with the Pope of Trash himself, John Waters!
7 years ago today, I made my debut on @ebertvoices.bsky.social with a piece about THE LAST BLACK MAN IN SAN FRANCISCO.
"So, in a way, humor is what saved my life, and that is political, always."
For @ebertvoices.bsky.social, I spoke with the Pope of Trash himself, John Waters!
Traveler
I’m fascinated by the reaction to Disclosure Day. Very thoughtful critics like Robert love it, more mainstream ones only like it, and it seems like cinephiles are “meh” on it as it’s only a 3.4 on Letterboxd right now
Can’t wait to see something that sounds unique and unexpected
The Pope of Trash talks about Roger Ebert, the breadth of his film references, and two of his classics coming to Criterion.
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.
There’s a certain thrill to watching a filmmaker wholly assured in every rhythmic and visual decision he’s making. “Disclosure Day” would work solely as a popcorn mystery ripe for several summer days ...
My brief thoughts about Spielberg’s DISCLOSURE DAY.
Robert Daniels
There’s a certain thrill to watching a filmmaker wholly assured in every rhythmic and visual decision he’s making. “Disclosure Day” would work solely as a popcorn mystery ripe for several summer days ...
