I've written about CAM before from a sex work perspective. But it's also super relevant in today's ai heavy digital landscape.
Give it a read and a share.
Xtine
"It’s not too surprising that a film so unabashedly pro-sex work would also be early to the 'machines are stealing our jobs' party." Daniel Goldhaber and Isa Mazzei's film was already an indie darling, but CAM has only gained ground with the rise of machine learning.
Christine Makepeace explains why Daniel Goldhaber and Isa Mazzei’s 'Cam' is a prescient warning against a digital dystopia.
