Asst Prof English │ Long 19th C │ Writer │ Researcher
Theatrical Afterlives (OUP 2026), https://global.oup.com/academic/product/theatrical-afterlives-9780198992882?lang=en&cc=es
https://metode.academia.edu/MarinaCano
Dr Marina Cano
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✨Pride and Prejudice staged behind bars (not only Shakespeare)!
🙋♀️ Inmate-actors wrote their own adaptation, highlighting Elizabeth Bennet’s strength of character
✊ For many, Lizzy was their favourite character. Also, the giddy, freedom-loving Lydia Bennet
🧵✨Heathcliff before Jacob Elordi
☘️ There have been numerous Irish Heathcliffs since 1934
🎭 Heathcliff has spoken Irish onstage and been presented as the “stranger in the house” typical of modern Irish drama
Learn more about the Suffrage Fair in Chapter 3: academic.oup.com/book/62303/c...
*Theatrical Afterlives: Nineteenth-Century Women’s Novels on the Stage* (OUP 26) global.oup.com/academic/pro...
Image: "A Comical take on the Suffragette movement." by Leonard Bentley is licensed under CC BY-SA 2.0.
🙋♀️ Mrs Bennet didn’t come out badly
Read about Austen behind bars in chapter 4: academic.oup.com/book/62303/c...
*Theatrical Afterlives: Nineteenth-Century Women’s Novels on the Stage* (OUP 26) global.oup.com/academic/pro...
You can recommend *Theatrical Afterlives* directly to your library through this link academic.oup.com/pages/get-he...
*Theatrical Afterlives: Nineteenth-Century Women’s Novels on the Stage* (OUP 26) global.oup.com/academic/pro...
ISBN: 9780198992882
#19thC #WomenWriters #Theatre #Novel
☘️He’s also been claimed to come from Galway or the Aran Islands
Read about Irish Heathcliffs in chapter 5: academic.oup.com/book/62303/c...
*Theatrical Afterlives: Nineteenth-Century Women’s Novels on the Stage* (OUP 26) global.oup.com/academic/pro...
We’ve been interviewed! Thanks so much to @angelfcc.bsky.social and the @ecrlife.bsky.social team!
Open Access *Women, ‘Failure’ and Academia* www.bloomsburycollections.com/monograph?do...
#Academia #AcademicPrecarity #Failure
🧵✨ London 1912, the International Suffrage Fair at Chelsea counted with the presence of the Cranford ladies (from Gaskell’s novel)
💪 On the suffrage stage, Miss Pole was “even more aggressive” than in the novel!
🗳️♀️ The scene was chosen for its humour and used to demand “Votes for Women!”
Honoured to be giving the 1st Guest Lecture of the Women Writing Violence Network!
Free. Zoom. All welcome, ucd-ie.zoom.us/j/6428498751...
*Theatrical Afterlives: Nineteenth-Century Women’s Novels on the Stage* (OUP 26) global.oup.com/academic/pro...
About the Network wwvnetwork.wordpress.com
Truly honoured to feature in the latest episode of @adaptationtoday.bsky.social. Thanks to my wonderful hosts @drgbain.bsky.social & @reraddatz.bsky.social
adaptationtoday.com/resources/po...
Theatrical Afterlives: Nineteenth-Century Women’s Novels on the Stage global.oup.com/academic/pro...
