the pro-grade game composer your team told you "Not To Worry About"
fil-am working in JP gamedev👾
music with SEGA / KONAMI / CAPCOM / SNK & more🎶
1st place famicompo trophy nabber, 4x🏆🏆🏆🏆
chibitech.bandcamp.com
🏎️ @tibiteku.bsky.social
pfp: happymappyart
chibi-tech
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kinpri taikake itasha won overall in the event btw… omg xcancel.com/korotoro/sta...
gotta say this is a very small auxiliary event in comparison to the big odaiba one… or even the shizuoka shimizu one. my not-itasha s660 in general parking is literally next to the chiikawa usagi hijet.
it’s like we’re together in akihabara once again, flexin’ as usual
it’s just like forza xtreme turismo amirite
i think what makes it kinda painful too is that wrangling w/rights is pure nightmare in japan.
if you wanna know why i don't have actual, saaay, bandcamp releases of my gaming works… well, i've learned things work different here, to put it lightly.
but i guess i at least have some job security 😗🎶
i went to Itasha Tengoku in ageo saitama. the weather is fair, but ominously looking like it’ll rain.
here’s a king of prism taiga x kakeru bmw mini.
the stop killing games movement happening 12 years ago could've saved every megu from that irrecoverable famine, never forget😔
i do sometimes feel like, in indirect ways, a lot of my career work ive done in japan has mainly been gatekept within japan. right down to my first gaming gig with the Zero no Tsukaima PS2 2D shooter, lol
this makes me wish even more that the Game Gear Micro that i had a part on was released in America and moreso worldwide… 😢
dayum shit’s hella changed since 2021 when i started coming here. this place has got to be like 90% tourists now, and like… 10% grey-area “JDM tour” staff.
japanese locals are within margin of error🤏
