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A delightfully crooked publication about movies. @jasondashbailey.bsky.social, editor-in-chief. https://crookedmarquee.com/
Crooked Marquee









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One of this century’s most touching and honest depictions of the gay experience, Andrew Haigh’s “Weekend” is streaming on the Criterion Channel just in time for Pride Month.
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Our mini-reviews of “Chum,” “Broken Land,” “This Tempting Madness,” and more of this week’s on-demand treasures and trash.
“The Long Haul,” “The Haunting of Pennhurst,” “Sara Bareilles: Good Grief,” “The Lorraine,” and more movies of note from this week’s Tribeca Festival: crookedmarquee.com/tribeca-disp...
“With its unvarnished take on the sex lives of gay men in the 21st century, Andrew Haigh’s ‘Weekend’ stood out when it was released in 2011, and it fits right into this month’s ‘LGBTQ+ Favorites’ program on the Criterion Channel,” @hoodedjustice.bsky.social writes.
“This week’s fringe VOD releases feature half-hearted attacks by sharks and krakens, plus a delivery driver taking a psychedelic journey, a rancher making a stand, and a brain-damaged woman confronting her past,” @signalbleed.bsky.social writes.
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Between Oscar winners, the late Diane Keaton co-starred in “Love and Death,” a send-up of Russian literature that showed off her prodigious comedic gifts. It was released on this day in 1975: crookedmarquee.com/love-and-dea...
Dorothy Arzner's Pre-Code romance ‘Merrily We Go to Hell,’ released on this day in 1932, alternates between light comedy and doomed drama with airy ease: crookedmarquee.com/classic-corn...
Orson Welles' classic noir 'The Lady from Shanghai' was released on this day in 1948. It's a rich match of style and substance: crookedmarquee.com/classic-corn...
Alain Resnais’ 1959 drama ‘Hiroshima mon amour,' released on this day in 1959, asks always-timely questions about dramatizing tragic events. crookedmarquee.com/classic-corn...
Louis Malle’s solo directorial debut ‘Elevator to the Gallows’ remains a stunning, scorching slice of French New Wave noir. It was released on this day in 1961: crookedmarquee.com/classic-corn...
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Classic Corner: Elevator to the Gallows — Crooked Marquee
Louis Malle’s solo directorial debut remains a stunning, scorching slice of French New Wave noir.
crookedmarquee.com
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crookedmarquee.com
Orson Welles’s 1947 thriller is a must-add for your "Noirvember" watchlist – and a rich match of style and substance.
crookedmarquee.com
Classic Corner: The Lady from Shanghai — Crooked Marquee
Dorothy Arzner's Pre-Code romance alternates between light comedy and doomed drama with airy ease.
Classic Corner: Merrily We Go to Hell — Crooked Marquee
crookedmarquee.com
crookedmarquee.com
Alain Resnais’ 1959 drama, now streaming on the Criterion Channel, asks again-timely questions about dramatizing tragic events.
crookedmarquee.com
Classic Corner: Hiroshima mon amour — Crooked Marquee
crookedmarquee.com
Between Oscar winners, the late Diane Keaton co-starred in a send-up of Russian literature that showed off her prodigious comedic gifts.
crookedmarquee.com
Love and Death and Diane — Crooked Marquee
crookedmarquee.com