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Assoc Prof, adaptation, Agnès Varda, amateur video essayist. Not necessarily in that order. Trying my best to pay attention. 🇺🇸 born, studied 🇫🇷, teaching in 🇹🇷 Bilkent COMD Co-host @ymmwtpodcast.bsky.social Co-chair @adaptstudies.bsky.social
Colleen Kennedy-Karpat
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Artists' rejection of hyperrealism has longer roots than this article suggests! Zeynep Aras and I discuss analog aesthetics & resistance to mainstream cinema in our forthcoming article (French Screen Studies): doi.org/10.1080/2643...
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Colleen Kennedy-Karpat
www.theguardian.com
In response to AI’s hyperrealism, artists and creatives are gravitating toward the homespun and imperfect
Artists are making ‘anti-slop’ to rebel against AI: ‘It’s been rammed down our throats’
this is Méliès filtered through Lovecraft and I hate it
47m
we may have lived in the sticks but we knew what movies were meant for the outdoors
tfw you grew up with drive-in double features like Godzilla (1998) + Spice World (1997) and now you live in a city that programs this as an outdoor screening
Surprised to find that my 2015 piece on Chicken with Plums remains the only full-length article in the journal ADAPTATION about Marjane Satrapi: doi.org/10.1093/adap... Amazed to learn the thumbnail I get here w/ that doi link is the Sophia Loren nude from the book. (I've played myself.)