South East England. Into genre evolution, H.G. Wells to H.G. Lewis, Hammer to Chainsaw. Giallo and Euro horror are my happy place. Incurable nostalgia junkie. 🇬🇧🏳️🌈
A hideous witch exacts revenge through stunning Steele in the cheap and creepy debut from Michael Reeves. Wicked fun with a nice line in cruel humour. 1966.
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Tod Brownings remake of Lon Chaneys lost film London After Midnight. Lugosi shines through the glorious gloom of a splendidly spooky delight. 1935.
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A masterclass in suspense from Reiner anchored by a tour de force from ankle bashing Bates. Gripping psycho shock classic with tension to spare. 1990.
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A hideous pagan god terrorises the Irish countryside in a much maligned take on Clive Barkers short story. A frightful folk horror hoot. Terribly good fun. 1986.
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The circus is inherently creepy but its a deadly delight as Crawford barnstorms the big top and gruesome murder tops the bill. Bloody camp fun. 1967.
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Overlooked Amicus chiller begins smart murder mystery before hitting horror for the terrific last reel. Giallo adjacent gem from Bloch and director Francis. 1966.
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A disabled lawyer becomes an avenging oil monster using dark magic. An utterly bonkers delight boasting Shaw Brothers sleaze soaked in crazy effects. 1976.
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The Devils Hand. 1943. One of the finest French horror films of all time. A visually striking variation on Faust from Maurice Tourneur. Haunting folk fantasy.
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Lewton and Tourneur flip pulp to poetry with shades of Brontë and sinister style to burn. A masterclass in subtly chilling simplicity. 1943.
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A dead astronauts possessed hand falls from space and starts killing. Cheap but admirably earnest and much better than credited. Endearingly dumb. 1963.
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