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Reader of SF&F, mainly. *Libraries have ebooks that you can read on your phone. Est. 2005
@gavreads









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Market and publicize your backlist. Market and publicize your backlist. Market and publicize your backlist. Market and publicize your backlist. Market and publicize your backlist.
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It's a wild book, and possibly not a Paul book (in terms of what people expect me to like). It knocked me on my arse. It frustrated me, but it's exceedingly well written, and it's good to try stuff far from my Cores, eh?
I read this book this year and it is a hell of a ride. Delightfully and unmitigatedly furious.
Congratulations to @amalelmohtar.com and @edenroyce.bsky.social! 🎉 The River Has Roots and Psychopomp & Circumstance are finalists for the Ignyte Award for Outstanding Novella! 🤩
Elias Eells- Bar Cart Bookshelf
If you don't hear from me later I have died of excitement from this lineup @orbitbooks.bsky.social this eve*... And this is just the *first page* of four double spreads. *(or quite possibly from too much coffee)
A novella in R B Lemberg's Birdverse, available as part of this year's Pride Storybundle: www.storybundle.com/...
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Fucking hell. Awestruck by this review that has an absolute pinpoint finger on the pulse of what makes Home Sick so riveting while also examining the ways in which the novel is in conversation with both Rhiannon's other stories and the horror body of work that it's building from.
I'm hugely grateful to the folks at Reactor for letting me write about the early stories of Clive Barker and Joel Lane.
" a debut that understands female rage not as empowerment but as wreckage, and builds a claustrophobic folkloric dread from nothing more than a thin shared wall and an unstable narrator who cannot outrun herself." gnofhorror.com/home-sick-by...
Sarah Langan's PAM KOWOLSKI IS A MONSTER! is 119 pages of bitter, funny, genuinely frightening horror about the stories we tell ourselves to explain our failures. https://gnofhorror.com/pam-kowolski-is-a-monster-by-sarah-langan-review/
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I KNOW preorders are super important for books, but they're also not how consumers find products, so like... just remember the long tail. People want to go into a place, pick up a thing, and enjoy it. Build more infrastructure around the period of time when readers can actually be consumers.
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