Writing in the Los Angeles Review of Books, New Statesman, Tribune, Vulture, MEL, New Socialist. Host of Death Sentence podcast.
Gareth Watkins
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We are here quite literally because of groups like Combat 18 who forged links between Ulster Unionist Paramilitaries and British Neo-Nazis, and now extending to the “Republican” far right.
Tommy Robinson operates on a distinct lineage of people like Will Browning and the Sargent brothers.
You can now find our 4-part series on Combat 18 in the collection linked below, where you can listen to the first instalment for free.
If you would like to hear the rest and help Blood Work to survive and thrive, consider becoming a Patreon supporter at bloodwork.show
My cover story - something I've been working on since last summer - on the shadow state, a country trapped in an outsourced asylum (and everything else) system it created for itself:
your boyfriend has donated £100 to led by donkeys in response to the pogroms.
One of the things that's *really* obvious about Karp from his book The Technological Republic is how much contempt he has for femininity. The entire thesis is essentially 'I'm sick of chick crap like social media, we need to make Based Gigachad stuff like weapons again' without gender mentioned once
Harrison is one of the country's greatest writers and that's that. Another wrote mostly comic books. Another rewrote fairy tales. Another, our most recent Nobel Prize winner, wrote about clones, robots and dragons. It's not that the matter is settled, but it was settled before I was born.
Combat 18, Part 1: Lad’s Army w/ Gareth Watkins by Blood Work on Patreon. Join Blood Work's community for exclusive content and updates.
Oh thank God. It's only taken the BBC a couple of decades to realise that a bunch of Epic concepts strung together isn't a story, a story is a story.
Thomas O’Mahony
BLOOD WORK
Anoosh Chakelian
I say at the end of this episode, the risk when talking about racist football lads itching to start a race war is that they've never gone away. I fully expected something to happen over the summer because of how many powerful people are pushing for it, but not the same bloody day.
The first reviews for M. John Harrison's new book are coming in and, predictably, there's the tiresome 'don't worry! It's sci-fi but clever people are allowed to like it!' disclaimer in a lot of them. How many decades are we in to the 'can genre fiction be Real Art???' non-debate?
