The official location for the Seattle Film Critics Society (SFCS) and all things movies.
www.seattlefilmcritics.com
Seattle Film Critics
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Calling all local film critics! Applications to become an SFCS member are open for just a couple more weeks, and we want to hear from you! Apply through June 30th!
With his 37th feature film, DISCLOSURE DAY, Steven Spielberg returns to exploring the possibility that we are not alone in the universe.
Emily Blunt and Josh O'Connor are great, but I found myself curious about the Spielberg we once had and the Spielberg we have now.
@seattlecritics.bsky.social
Spielberg’s latest film is even more proof of his cinematic vision. But even that and a career best Emily Blunt can’t save the ridiculously corny writing plaguing some of the most intense moments of DISCLOSURE DAY. #SFCS
Check out the full review: www.filmfroth.com/disclosure-d...
DISCLOSURE DAY (2026) shows Spielberg returning to his sci-fi obsessions, but not repeating himself. This is a captivating film. Yes, it’s a movie about aliens, but more importantly, it’s a movie about us. My review.
macguff.in/film-reviews...
@seattlecritics.bsky.social @ofcs.bsky.social #Filmsky
Now you all are seeing why I haven’t shut up about this movie since September. www.thelastthingisee.com/2025/09/the-...
TIME AND WATER: Sara Dosa’s visually stunning, unshakably sad and transcendent new film confronts the most pressing existential questions of our time. It's the best new film to see this week so you should do so @siffnews.bsky.social📽️
My review @seattletimes.com: www.seattletimes.com/entertainmen...
Hey Seattle, got some great news: John Early is coming to town with his fantastic feature debut MADDIE’S SECRET for the opening night screening on July 10 @siffnews.bsky.social!!! It's really special and unlike anything you've ever seen. Will have more on it then, but for now, read my review below 📽️
THE FURIOUS: Whatever your action movie can do, this one does infinitely better while wearing flip-flops🩴. Also, to nobody in particular, please don't insult this film and its talented creators by calling it a JOHN WICK clone. It's far better than that 📽️
My review: www.inlander.com/screen/revie...
I've been a Hockney fan since my art student days, and he's appeared in several documentaries over the yrs, like Peter Rosen's Who gets to Call It Art? As I wrote, Henry Geldzahler "was particularly close to Andy Warhol and David Hockney, and both would create pieces that revolved around his image."
Disclosure Day again proves Steven Spielberg’s film mastery as a weather reporter and a programmer race from a shadow agency to deliver truths to the world.
www.cinema-crazed.com/blog/2026/06...
#spielberg #disclosureday #filmreview #scifi
The Seattle Film Critics Society (SFCS) continues to seek to expand and diversify our membership and we are always excited to have new Seattle-area critics join our ranks. Qualifications To be…
MADDIE’S SECRET: Wake up fellow alt comedy lovers as John Early’s excellent directorial debut is a John Waters-esque romp for our time. Oh, and Kate Berlant is unstoppable. It's CRY-BABY for a new generation while remaining pure Early 📽️
My #TIFF50 review: www.thewrap.com/maddies-secr...
macguff.in
Allen Almachar reviews Disclosure Day, from director Steven Spielberg and starring Emily Blunt, Josh O'Connor, Colin Firth & Colman Domingo.
Two New Documentaries at Northwest Film Forum WHO GETS TO CALL IT ART? (Peter Rosen, USA, 2006, 35mm, 80 minutes) The answer is: Henry Geldz...
siffblog2.blogspot.com
Chase 'Hutch' Hutchinson 📽️
www.filmfroth.com
The newest film from the acclaimed filmmaker, Steven Spielberg, is a humanist exploration masquerading as a conspiracy thriller, and yet even with all of Spielberg's finesse, the story fails to be con...
