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In a creative practice peice for our new issue, Ana Patiño & Maria Karpushina use the idyllic image of a garden as a microcosm, shattered, to reflect the harsh reality of patriarchal practices www.maifeminism.com/a-little-bea... #creativepractice #feminism #exquisitecorpse #garden
"Dying on film ‘overwhelmingly happens to white, middle-class people.’" Jillian Tullis & Emily Ryalls unpick the stereotypes in their timely contribution to our latest issue www.maifeminism.com/death-withou... #film #feminism #intersectional
"Tales of the deep dark woods linger in the recesses of our collective imagination, invading our wildest dreams and haunting our darkest nightmares" Trish Black explores the cultural phenomenon of rural noir in our latest issue www.maifeminism.com/forests-fear... #crime #feminism #noir
Are you a good mother? In our latest issue, Eleanore Gardner & Alyson Miller unpick the problematic ideas surrounding male violence in the Netflix series 'You' www.maifeminism.com/motherhood-g... #tv #feminism #mother
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Stacey Pitsilides & Ellen Sampson's essay film in our new issue explores ideas of cellular and digital immortality, making visible the ways that women’s bodies are divided, distributed and re-constructed, networked and summoned into being. www.maifeminism.com/caught-betwe... #film #feminism
We welcome creative submissions that centre feminist thought: video or photo essays, short films or poetry, such as this meditation by Pulkita Anand in our latest issue MAI 15 Intersectional Selves: Feminist Self-Portraiture www.maifeminism.com/stupid-as-yo... #feminism #poetry #academicsky
2025 was the 120th anniversary of Slovenian cinema. Ana Šturm interviews Urška Djukić about her film Little Trouble Girls and women's voices in Slovenian cinema for our latest edition MAI 15 Intersectional Selves Feminist Self-Portraiture www.maifeminism.com/urska-djukic... #film #voice #academicsky
"the story of a woman’s relationship to death is the story of the world, of then, of now, of always, of still." Michele Aaron sets the scene for our new issue in her foreword to MAI 16: Dead Women and Gendered Death in Visual Culture. www.maifeminism.com/dead-women-a...
Excited to share our new issue, guest edited by Devaleena Kundu, Bethan Michael-Fox, and Khyati Tripathi which shows through a diverse range of essays how feminism extends beyond one’s lifespan. www.maifeminism.com/issues/focus... #feminism
Did you miss us? There's still lots to read in our latest issue MAI 15. Start the year off with Angela Varricchio exploring feminist perspectives on conflict photography. www.maifeminism.com/women-photog... #photography #feminism #academicsky
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This creative article uses a fragmented structure to echo narratives of those whose lives were affected by femicide and gendered violence.
www.maifeminism.com
A Little Beautiful Garden: Between Woods, Between Worts, Between Daily Lights
Focusing on the 'dying mothers sub-genre', the two authors ponder the meaning of Black women's bodies' absence in film.
www.maifeminism.com
Death Without Dying: Invisible Depictions of Black Women’s Death on Film
Forests, Fear, and Femicide: Images of Unbelonging in Rural Noir Visuals
Black argues that visuals in rural noir texts tend to exploit forests and green spaces as malevolent mise-en-scène to femicide.
www.maifeminism.com
Gardner and Miller argue that women's fate in the Netflix series You depends on their status as 'good' mothers, lovers, and wives.
www.maifeminism.com
Motherhood, Gendered Death & Violence in Netflix series You
MAI: Feminism & Visual Culture
This short film demonstrates how posthuman feminisms and new materialism can disrupt practices which commercialise immortality.
www.maifeminism.com
Caught Between Slides of Screen
Anand offers a meditative, dialogic reflection on two opposing sensibilities that have often been aligned with binary gender categorisations.
www.maifeminism.com
Stupid as You Say: A Poem - MAI: Feminism & Visual Culture
Ana Šturm, from the Slovenian journal, Ekran, meets the award-winning director, Urška Djukić, to discuss her latest film, Little Trouble Girls (2025).
www.maifeminism.com
Urška Djukić & Women Voices in Slovenian Cinema
Looking at a broader context, Aaron praises our authors for interrogating how women's deaths are currently conceptualised in visual culture.
www.maifeminism.com
Dead Women and Gendered Death in Visual Culture: Foreword
Focus Issue Sixteen: Dead Women and Gendered Death in Visual Culture
Our authors reveal how representations of dead women are subjected to patriarchal and neoliberal capitalist discourses.
www.maifeminism.com
The author ponders how the intertwining of gender and race reconfigures the dynamics of power in the photographic coverage of conflict.
www.maifeminism.com
Women Photographers: Expanding Agenda & Subverting Powers
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture
MAI: Feminism & Visual Culture