I talk a bit about some analogue horror I've been enjoying of late...
I recently read Elinor Dolliver's fascinating research article on analogue horror in the Spring issue of Film Quarterly, and as often happens when I read something interesting, it gets my brain percolating. Specifically, I started thinking about the idea of analogue horror, not just as a form of modern folklore, but as a concept in and of itself. Analogue horror, insofar as I perceive it, has a sort of gritty, lo-fi approach to the genre. Basically, it's the 'zine equivalent; hand-made, rough in places, but somehow more pleasingly tactile than a better polished piece might be.
