John Langan’s Lost in the Dark won the Stoker award for best collection last night, what better time to read my thoughts on it and hamburgers and Lyn Hejinian (and Rebecca Campbell’s The Other Shore and B. Catling’s A Mystery of Remnant)
Zachary Gillan Short stories, like weird fiction—or, weird fiction, like short stories—thrive in the productive ambiguity of spaces opened and never closed. The advantage of short stories, Joanna W…
