‘A point of pride for Agnès Varda was that she had never shot in a studio or made a film about rich people, but she worried about the ethics of working so closely with real life – whether the documentary method was comparable to hunting.’
Lili Owen Rowlands:
www.lrb.co.uk/the-paper/v4...
Beneath the whimsy and the wit, Agnès Varda’s films were motivated by contradiction and critique. She said she was...
