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web zine + micropress bruisermag.com
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Stoked to have a new micro in one of the best journals doing it today. @bruisermag.com 🔗 below!
You can handle this. You have been trained to handle this. This class period will be a true simulation. We will act like this is the real thing. MATH IS BEAUTIFUL by Ethan Krajewski ↓ www.bruisermag.com/Krajewski_Math
I approve and wholeheartedly endorse this new Tuesday column. I will return this (meterelogical) fall. See you then, if not before.
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And what then might lie beyond the socket? Would you see my true insides? RAVENOUS by @mykkirioswrites.bsky.social www.bruisermag.com/Rios_Ravenous
I saw commodification of people as the next logical progression in the late-capitalist hellscape portrayed in Infinite Jest, with time itself pawned off to the highest corporate bidder. An interview with MEAT PUPPETS author Hannah Smart by Christian McDonough: www.bruisermag.com/mcdonough_sm...
Brenda’s son is a staircase. He was not born this way. BRENDA’S SON by @sarpsozdinler.bsky.social www.bruisermag.com/Sozdinler_Brenda
Keita Yano does not strike me as someone who desperately wanted to be Hulk Hogan. Instead, he cuts a solitary figure, working in a room with no public audience and no ring. This week from Segunda Caida, KEITA IN THE HOUSE vs. 326 - 11.30.2014: www.bruisermag.com/segundacaida...
www.bruisermag.com/lei_sachs
Sarp Sozdinler
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Three bears busted down the cabin door and challenged me on the spot. Big guys. Claws and teeth. It wasn’t easy but I beat all three of them. Three prose poems by @jeffreyhermann.bsky.social www.bruisermag.com/Hermann_Poems2
“After I made that film, quite a few people said to me, ‘You made me look up at the windows.’” @alexlei.bsky.social talks with @lynnesachs.bsky.social about her investigative approach to filmmaking and latest film, EVERY CONTACT LEAVES A TRACE
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Brenda’s son is a staircase. He was not born this way. BRENDA’S SON by @sarpsozdinler.bsky.social www.bruisermag.com/Sozdinler_Brenda
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Kim Tabara
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I hope we provide nothing more than intense curiosity and some context, and that the two come together in an alchemical concoction to make you briefly understand something that is dear to us. SC's JR Goldberg & EricR discuss an unusual match in SEGUNDA CAIDA #1: www.bruisermag.com/segundacaida...
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Alex Lei talks filmmaking as investigation with Lynne Sachs in her new film *Every Contact Leaves a Trace*
www.bruisermag.com
DISCURSIVE TRANSACTIONS AND SYNAPTIC CLASHES [Film Dispatch] - BRUISER