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'Any free time should have been spent on publishable work that might improve my prospects. But I was exhausted that evening. I idly flipped through Auden, paused on the poem ‘Lullaby’, and picked up a dusty guitar with my other hand.' New on our website: J.T. Welsch on setting poems to music.
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Might the first-person critical-creative voice be a marker not of identification with one’s subject, nor of the collapsing of critical distance, but rather a different kind of creative act that afford...
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Strange Conversations: Musical Poem Settings as Creative-Critical Practice - Creative-Critical
Creative Critical