An odd one, Backrooms — on the one hand, supremely now; on the other, its metaphorical thrust feels a touch dated, like reading a mark fisher essay from 15 years ago.
I wrote about the film and liminal spaces at large for @artreview.bsky.social.
artreview.com/the-life-and...
artreview.com
‘Backrooms’, the directorial debut by Kane Parsons, is going gangbusters at the box office, but is this just ‘prestige slop’?
